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IAN
ELLIS BLUES IMPERIALS AT THE
Band
line-up Ian Ellis bass/vox; John O’Leary harp/vox; Tony Morley gtr/bass/vox;
Gary Sandford gtr/vox; Alan Savage drums; Peter Terry keyboards
Following
closely in the footsteps of the recent debut of his 12 piece* (plus guests)
Blues Orchestra (now renamed The Blues Imperials), at The Boom Boom Club,
Sutton, Ian Ellis brought a stripped down 6 piece to the
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Ian Ellis may have enjoyed over three and a half decades playing with top
names such as Savoy Brown, Alex Harvey, Chris De Burgh, Pete Townsend,
Steve Hackett, Atlantic Soul Machine and Mick Clarke etc., he can rarely
have enjoyed such a complementary band who both revelled in a night of
unfettered rythm and blues, as well as pushing their band leader to play
out of his skin. But to begin at the beginning. The rhythm section of Alan Savage on drums and Ian Ellis on bass layed down the perfect platform for what was to follow. This metronomic rhythm section both pushed the front line players, swung when required, teased out the dynamics of a powerful set, and constantly delivered a mellifluous groove that so few band manage to emulate.
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Whether
it was a mighty Ellis led rendition of a powerful Millie Jackson cover, a John
O’Leary inspired harp rendition of classic Chicago Blues or Tony Morley’s
intuitive reading of a slow Peter Green Blues, the band proved them selves as
adept as they were inspired.
The
whole thing came together beautifully on Fats Domino’s "Lovey Dovey",
delivered as a rock & roll shuffle, with everyone contributing a dazzling
solo.
Guitarist
Gary Sandford added some cutting edge licks, and even brought a fresh take on a
brace of Hendrix numbers as the band stripped down to just a trio, with the
versatile Morley taking over on bass.
Ian
added a nice biographical touch during a mid set blues work out, explaining to
the crowd that both he and founder member of Savoy Brown had both been in the
band at different times, but still ended up playing the same song.
Given
the short notice nature of the gig, there was little room for other than tried
and tested R&b/blues covers, but it was the sheer power, enthusiasm and
superb playing that the Blues Imperial brought down to bear on their set that
made this a special evening. No one crowded anyone else, and even the late
addition of Pete Terry on keyboards, although marooned stage right, added some
integral boogie parts, and a couple of very expressive exploratory solo’s.
Ian
Ellis & The Blues Imperials will only ever be an outfit that will hit the
boards in between various band members tour itenerary’s, but it is probably
that reason alone that makes everyone so enthusiastic. On the evidence of this
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