| Hershey & the 12 Bars
www.hersheyandthe12bars.com
Next
up were one of my favourite bands, the excellent Hershey & the 12
Bars. It is, perhaps, most appropriate that they should appear at this
event as Hershey, Richard Shirman, suffers from MS and is restricted to a
wheelchair. His self-deprecating humour about his condition in his many
asides is, I feel, a tribute to a man who does his damndest to not allow
it to interfere with his love of the Blues and desire to perform
Hershey
& the 12 Bars appear all too rarely so it was a real treat to see them
at Tring. The band behind Richard is stuffed with talent with the
excellent Dave “Munch” Moore on keyboards, Alan Coulter on drums, Chas
Cronk on bass and Ernie Hayes on rhythm guitar, every one of them
musicians whose CV’s read like the proverbial Who’s Who. New to the
band, literally, was the young Michael Coleman, stepping into Mike
Summerland’s shoes and who was making his debut appearance with the band
and what a guitarist!
The
band opened with “I Ain’t Gonna Be Your Slave No More” followed by a
trademark 12 Bars number,
“Angel of Mercy”. Then came “Shot in the Dark “ which Hershey
informed us “was written by the singer!” and this was followed by the
wonderfully witty “The Blues Just Ain’t The Same Anymore” which
bemoans the effect that political correctness has had on the blues.
The
set continued with a glorious rendition of Prince’s “The Love You
Save” which featured a beautiful guitar intro and continued with another
Hershey favourite, “You Upset Me Babe” and Janis Joplin’s “Move
Over”. The band’s closing number was – wait for it – “Voodoo
Chile”!!! and what a fabulous version it was. Wonderful keyboard work
with an insistent, driving rhythm and the riff from Joe Walsh’s “Rocky
Mountain Ways” which fitted perfectly.
This
was a brilliant set finisher and served to demonstrate not only how good a
band this is but also how individual musicians or bands can take the same
song and interpret it in their own way and bring new life and a new take
to it. One was not left thinking, “Oh no. Not “Voodoo Chile” again
despite the fact that this was the third version in three sets. But then
it is a great song.
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